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During the last few years a mighty revolution has had to be worked in our ideas concerning the whole art of the dance. And this not only as regards the dances of the ballroom. In the theatre the change has been no less striking, and we have found ourselves in the position of being forced to develop a completely fresh set of aesthetic standards so as to keep pace with the development of a tradition which for us, previously, had been little more than a dead and obsolete form. In this task we have been obliged to proceed mainly by the light of nature.